Monday, June 29, 2020

the future of satan live

When lockdown hit, it took the one gig I'd had booked in, 2 festival slots I had lined up, and an entire tour I was planning for October. I was, understandably, fairly gutted, but also I was kinda nervous about how this one man satan would operate onstage anyway, so I felt a slight bit of relief and a new found enthusiasm to try something else.

I'd been working on a live set for ages, btw. I'd had it more or less nailed as early as last autumn, and after a few trips to practice rooms to try it out, I felt a lot better about the whole thing than I had previously. It was to be about 6/7 songs long, using loops I'd made and put into my iPad's Garageband looper, over which I'd play my guitar and loop that via various pedals, and out through a small practice amp. Anyone who'd seen us play as a duo will know that I used to channel my guitar through an iPad anyway, so it didn't really present much of a change of pace.

But then, lockdown hit and I lost all my gigs, and then I thought this set might not be very good after all that. I thought that, after a decade of gigs with the two of us going for it onstage, this new look live show with me sat down next to a lava lamp, playing songs mainly on guitar and trying my best to loop hastily thrown together wav files via a fucking iPad suddenly didn't look too hot.

I sort of panicked about it, but meanwhile I'd started these ambient guitar livestream things on Instagram. Just me and a guitar, looping stuff and having fun trying things out. I couldn't get the electronic elements together with the guitar stuff to go into the iPad that was recording me, so I (as I usually do in these situations) decided to roll with the punch and limit myself to just guitar. It sounded nice though, and I liked just noodling. Not done stuff like that in a while, so it was nice.

But then I started thinking, 'well what am I going to do then?' I toyed with the idea of just sacking off gigs altogether, and just doing these livestreams, but I do enjoy touring, and playing for people, so I don't want to lose that. I'm currently working on a new live set, somewhere between the beat driven satan of old, and the more ambient, dreamy satan of now. I'm hoping it'll be ok, and you lot won't mind me sat down next to a lava lamp as opposed to throwing myself around onstage.

Anyway, I usually do about an hour on these livestreams, so I decided to split it into two chunks when it came to recording them for youtube. Part 1 has been up for a while, and is here:


And over the weekend, I finally managed to get a decent recording of the second half of it, which is now up for you to listen to here:

I'm aiming to get the tour back on track for 2021, but will let you know how I get on.

Friday, June 19, 2020


If you've ever wondered what goes into a worriedaboutsatan track, well wonder no more. I thought it'd be kinda fun to dive into the studio sessions of a few tunes and explain how I put stuff together. Starting with 'Twin' and 'Step Inside', I'm aiming to make this a bit of a regular thing, as I had quite a bit of fun doing them.

Anyway, the series is up on the satan youtube channel here.

Here's the one for Twin. It's only the demo of it, as it was fleshed out and finished elsewhere on a computer I don't have access to, but it's fun enough:

...and here's the one for Step Inside, which is way more thorough, as it wasn't taken anywhere else for anything:

Any requests for future tracks? Get in touch and I'll see what I can do...!

Wednesday, June 10, 2020

split no.5

Very happy to announce some more new music from the house-of-satan:

It's a split cassette with my guy Veins Full Of Static, out via my own label This Is It Forever, on July 10th.

It's the fifth split in the series, where I ask someone to join me on maxing out the side of a tape by letting your inhibitions down and getting a bit experimental. So for this one, I went for a really long, Burial style fuzzy late night atmospheric rumbler, and VFOS (or Jamie as he's otherwise known) went down the route of plaintive ambient washes, slowly unfurling over some barely-there beats. It's a monster, and I'm really excited to get this out in the world.

It'll be out on lemon coloured cassette (it's bright, trust me), and with each order you'll get an IRL badge, which is the same as the one on the cover there. Pre-order lands next Friday, and full release is on July 10th.

Any press enquiries, hit up adam [at] tailored-communication [dot] com and he'll sort you out.

Monday, June 8, 2020

live recording

Hi all,

Thought I'd take a quiet Sunday to record one of these live sets I've been doing as Insta livestreams, and bang it on youtube. I appreciate some don't have Instagram accounts, or would just like to see something in better quality.

So, here you go:

It's actually the first 'half' of the semi-improvisational live thing I have going on at the moment. I'll record the second half sometime soon. This stuff wasn't part of the live set I was going to tour with btw, it just kind of happened once I started these livestreams. Technical limitations meant I had to just focus on the guitar, and do away with the electronic elements, which was kinda nice as I didn't think slamming loads of beats and synth through an ipad via Instagram would've sounded anywhere approaching good.

Anyway, hope you enjoy it.

Wednesday, June 3, 2020


On Monday, as promised, I resurrected the livestream stuff. This time though, Insta let me save it all and pop it on IGTV, which I still don't really know how to use properly... anyway, it's all on there now for you to enjoy whenever you like:

PS. the football shirt I'm wearing there is the limited edition Bohemian FC / Amnesty away shirt. It's ace, and is for an obviously good cause.

Thursday, May 28, 2020


I know it's been a while since I last did a livestream, and it seems apt to mention it on the day the last of my gigs-on-the-horizon finally got canned. After two festival slots also got pulled, the last gig I had in the diary was for one in October, which was supposed to be part of a full UK tour, but I've decided to just bin the whole thing off and look to do it next year instead.

Seems silly to be stressing about that stuff when there's so much serious shit still happening, and the last thing DIY venues need is me piping up in their inbox asking for gigs when a lot are already on the brink.

Anyway, with that in mind, I'll try and do the live instagram streams a bit more regularly, and maybe even record one or two of them and pop them up on the satan youtube channel.

You can follow me on insta here: and I'll try and get the word out as much as I can whenever I do these things. I use twitter for that quite a lot, so if you're not following, you can do here:

Here's a taster of what these livestreams look/ sound like (spoiler: it's just guitar)

Monday, May 11, 2020

Release Day Roundup

On Friday, the seventh worriedaboutsatan album, Time Lapse, was released into the world. It was really nice to see and hear so many people enjoy it, and awesome to finally have these tracks out.

Anyway, as these things tend to do, everything got caught up in a bit of a backlog, as there was just so much going on at once, so I'll attempt to log it all here, mainly for my sake, but I thought it'd be an interesting little stroll around the album regardless.

Prog Magazine reviews the album. Some great quotes in there. My favourite is "four lengthy multi-tiered mood cathedrals built on densely ominous drones" - that's a cracker. Massive thanks to Prog for featuring it too.

I had a chat with Sean at MusicTech Magazine, and told him all about how I make tunes. One here for the musicians amongst you - in this piece I talk about how my cavernous collection of modular synths and drum machines, coupled with my array of high powered mac products enables me to create satan albums. Just kidding, it's actually a riff on how little gear I actually have, but am fine with that.

Here's a really nicely written review of the album from Nothing But Hope And Passion. My favourite bit is "A record to dive in and let go, without any bursting crescendos or epic guitars. Instead a steady pulsation without de- or acceleration, providing a certain calmness and thus creating a mood, somewhere between uncertainty and anxiety". Nice.

Another nice write-up from Birthday Cake For Breakfast here. "Dark, brooding but with large glimpses of hope and beauty, this rings with relevance and comfort"

Drifting Almost Falling also gave it a thumbs up here. "Miller is no rush to get to the various hooks and treats you will come across, instead he revels in using time to build pieces that make their length immaterial... Miller makes time an arbitrary concept and you just don’t feel like you are listening to pieces that go on and on and on."

Also, and this is a big one as I've had loads of questions about it- the album is available from a variety of places. If you live in the UK or Europe, don't feel that you need to spend a bazillion pounds on import shipping from the label Bandcamp just because it's Bandcamp. n5MD have worldwide distro, so if you're after a CD or a 12", and you're not in North America - please, please, check out this list I made of various shops around the globe stocking it: