Friday, April 2, 2021



Today sees the unveiling of album number eight: Providence.

It was pieced together from various recordings I’d made over the past year or so, picking up pretty much exactly where Time Lapse left off. I didn’t want it to be just Time Lapse 2 though, so had it in my head that it would be an album of stuff that sort of varies in style, with shorter tracks, but still retain a satan atmosphere all the way though. I think I’ve managed it - well, I hope I have, but I guess you’ll be the judge of that...

It’s coming out on May 7th via the excellent Newcastle based label, Box Records. Matt, who runs the label, is an old pal of mine, and I was very fortunate that he offered to release this record, as it very nearly didn’t see the light of day. It ended up homeless after various industry shenanigans, but Matt was a proper legend when he stepped in to save it. 

I had a bit more fun with song titles too, as the John McGinn one was based on a Villa tweet I made two years ago after we played Norwich, and Stórar Franskur is Icelandic for 'big chips' - I just thought it’d be funny to make the blandest phrase I could think of into something that looked very 'Spotify ambient' as they love a good pretentious Icelandic title. Plus, most Icelanders I know aren’t the Wes Anderson caricature they’re sometimes made out to be, so a big plate of chips was the funniest thing I could imagine in a cutesy faux Scandinavian accent.

The front cover is the big brutalist clock tower in Shipley, in case you were wondering. It’s a photo by the excellent photographer John Cade.

Anyway! The pre-order is open now, and you’ll get the McGinn song immediately, so go on - get one ordered!

Friday, March 26, 2021

Rankin on satan

If you're based in Scotland, you might've seen a show running on BBC Scotland called Shelf Isolation - it's a little programme where famous people chat via Zoom about what arts & culture they've liked during the pandemic. It's a fun little thing, and the latest edition involved author Ian Rankin, long-time friend of the satan. 

Anyway, he talked about how much he enjoyed last year's album Time Lapse, and to my surprise, talked at length about me, my music, and all sorts of other stuff. It was great! So I've clipped it and smashed it on the satan youtube for all to see. Well, until the copyright strike comes, but so far I've avoided that...


Tuesday, March 23, 2021

New previews

Over the last few months, I've been teasing little bits of up-coming releases. I thought I might as well, as everything in the schedule has been shunted back quite a bit from where it was originally planned. One album was supposed to come out last November, but has since changed labels, release month and release year. Hopefully it shouldn't take too much longer, and then I can start to talk to you all about these things I have in the pipeline. 

Anyway, those teasers - I basically cut up some nice looking videos from various sources, and started posting them to Instagram stories. I liked the idea that I could tease a new track, and all traces of it would be deleted after 24 hours. It was very me, so I started putting them up a bit more regularly as the months ticked on, and over time I've experimented with putting the same ones on different socials, to see where the reactions were better and what people said. Twitter didn't do too well, but Instagram stories was a hit. YouTube, the jury's still out, but the views haven't been stellar, and someone unsubscribed the other day when I uploaded two new previews! Haha. Oh well. 

Here you go anyway, here they all are in their glory...






Monday, March 1, 2021

Si begg remix

It's March! Lovely!

The weather is still rubbish though, so to get you through, here's a remix I did of Si Begg, which is out today:

So weird to be on a Si Begg project - literally have his albums stacked up at home, so to be asked by him to cook something up is unreal! I remember doing the first draft ages ago, in a right huff as I was in a terrible, terrible mood because Villa had thrown away a lead at bloody Arsenal, and we ended up losing in the last minute, which was utterly painful. That first draft, you'll not be surprised to hear, ended up being awful, so once I'd calmed down, I went back into it, and did this version. Sounds pretty good I reckon!

Monday, February 15, 2021

Can't get you out of my head

Adam Curtis is back!

You may remember him from such films as Hypernormalisation, and The Contrabulous Fabtraption of Professor Horatio Hufnagel. OK, maybe not the last one, but definitely the first one.

You might also be aware of the connection between his films and my music, as it's appeared in a lot of them since about 2014. His last outing, Hypernormalisation, even managed to get me a credit at the end of the film, which was very nice.

Anyway, after a long break, he's back with 6 (count em) new films, all under the title 'Can't Get You Out Of My Head'. I've seen the first two, as I'm resisting the urge to binge them all and just let them sit in my head for a few days before going back in, and I was a) delighted to be delving into the murky world of Curtisism again, and b) nicely surprised that some of my music popped up during various segments.

Now, you might be thinking 'Gavin, why don't you know in advance what he's putting in?' and to that, I'd say: 'well, he makes everything himself, and is no doubt still editing it all about 5 minutes before he sends them to the BBC, so has neither the time nor the energy to submit cue sheets. Plus, he layers different tracks together a lot, so would be a nightmare trying to unpick it all'. So there. Plus it's kinda cool that he collages so much stuff together that he probably forgets what he's used and where. And he's busy. Always busy.

ANYWAY. I thought I'd keep a handy list here as to what stuff he's used of mine in the docs, as it's just nice isn't it? I wrote a sort-of passive aggressive tweet once about the time when loads of satan stuff got used on Hypernormalisation, and I thought labels and agents would batter down my door asking to work with me, and the only thing that happened was a dude at a label tried to use me to get Adam's email address so he could just send him all his music instead. So with that in mind, I resolved to always just big myself up, if no-one else was going to do it for me.

Here we go then, I'll update it as I watch them, but for parts 1 & 2, here's the stuff of mine he used:

UPDATE! Just watched part 3, and whereas it was a bit light on the ol' satan stuff, there was a cheeky bit of this one, slithering into a scene involving an irate American in the suburbs:

UPDATE 2! Blimey, part 4 is tough stuff, eh? Found one or two bits peeking through, which were the intro riff to this-

and there was also a tiny bit of this old ambient thing I did years ago (it's appeared in a fair few bits of his before)

Oh, and he loves to play the clattering, reverb drenched intro to Evil Dogs too:

UPDATE 3! Yes, nearly at the end now. I don't think anything new popped up, apart from one intro to something that's been buzzing around the whole series so far that I just couldn't place. Turns out it's this, from Revenant:

LAST UPDATE! Finally watched the end episode last night, and whereas there wasn't anything new, there was this in the credits! Lovely:

Friday, January 22, 2021

Split out now!

Today sees the release of a little split tape I put together with Charlie Coxedge.

I run a little label called This Is It Forever, and about two years ago, I started doing little cassette splits, where I'd take one side, and someone else would take the other. It's been really good fun, and ever since the band became just me, I've been able to share the satan sound with some people I really like. 

This one's the sixth so far, and my track on it, 'An Tiaracht', is a relatively new one. the thing I like about these splits is that you can do stuff quite off the cuff, and pretty quickly - there's no big schedule, and you don't have to sit on things for that long if you don't want to. They've always been good as little snapshots of the more experimental side of satan too, as you get about 10-15 minutes to do whatever you want with. Naturally, I always want to make something fucking massive.

Anyway, really hope you enjoy it, and stay tuned for a lot more satan music this year!